Primisi – stage design for Theater Rotterdam, November 24-25, 2022

Fort in de Hoofdrol – Site specific performances – Ludmila Rodrigues & Rafaele Andrade at Fort Vuren –Unesco World Heritage– June 3-4, 2023.


Home: An Unfinished Project scenography for an exhibition in motion, April 8th to 24th, at Kunstinstituut Melly, Rotterdam.

Awa – Impro performance with inflatable, Ludmila Rodrigues & Fazle Shairmahomed, at Raw Dates #7, March 19th, 2022, iii Project Space, The Hague.

How to cope with a sunset when the horizon has been dismantled. Scenography for Nederlands Dans Theater / Holland Dance Festival. Premiere on Feb 3rd, at NDT/Amare, The Hague. On tour through Athens, Ludwigsburg and Barcelona.


Sunset in Delft, Highlight Delft Festival, 18-20 November; Delft

ThickThat Those Beings Be Not Being, W139, October 22nd – December 12th; Amsterdam


Second Landscape – stage design for Marina Mascarell’s  dance production. Premiered in October, 2020; Taipei Dance Forum, Taiwan.

Second Landscape – stage design for Marina Mascarell’s new dance creation at Skånes Dansteater; Malmö, Sweden. Premiere postponed due to the pandemic.


Comprehend – Sensory space for Hubs Immersive Festival, at De Nieuwe Regentes Theater, November 8-9, 2019; The Hague

Anushthan – stage and costumes for a decolonizing performance-ritual by Fazle Shairmahomed and Farah Rahman, Theater de Vaillant, The Hague. Première on October 6th 2019

nhemu – ritual of disarmament, performative site specific work for FortVisions, Fort 5, Edegem, Belgium, 19th May 2019

Valley – stage design for dance piece by Marina Mascarell – GöteborgsOperan, Sweden – première on March 15th, 2019 – on shown through April 14th


Sensing Tipping Points of System Earth – Book series at group show ‘Talking with Hands’, at Fusion Art Gallery, Turin, Italy, November 2-30, 2018

Sensing Tipping Points of System Earth – artist in residence at Wageningen University, Netherlands – August-September 2018 #100yearsWUR

Polytope exhibition at FILE –Festival Internacional de Linguagem Eletrônica– São Paulo, Brazil – 4 July-12 August 2018

Zone of Indeterminacy living sculpture plus books Hasselt, Belgium – June, 2018

Politics of Affect performance at ‘Do Not Disturb’, Quartair, The Hague – 9-25 March 2018

Paper Reliefs series for ‘Paperworks’ exhibition at Corrosia Theater Expo & Film, Almere, Netherlands, Feb 17 – May 26, 2018

Contact, Sensory Intervention for Museum M van Leuven – January 24-31, 2018, Leuven, Belgium 2018


Flexor and Approximation  at Performance, Bodies, Objects, November, 2017 – January, 2018 at TETEM; Enschede

Flexor and Approximation on show at Performance, Bodies, Objects, open lab, September 15th – October 7th, at Quartair, The Hague

Kinesthetic Lab – Playing as Learning Process – Workshop, August 28th, KABK intro week, The Hague

Residence CLOUD/Danslab, with Natela Lemondzhava, Ingrid Lee, Nico Urban, Natali Blugerman and Ludic Collective, from 25th May to 1st June; The Hague

The Body of The AudienceWorkshop at Corpo-real, Interior Architecture Master, ArtEZ, 10 May 2017; Zwolle

Polytope – performance at Quartair, during Hoogtij – March 10th, 2017; The Hague

Polytope – Exhibition ‘Higher by Spinning’ at Charlama Art Gallery, Sarajevo, Bosnia & Herzegovina (Sarajevo Winter Art Festival/Sarajevskazima) – 8-11 February

Three Times Rebel – Stage design choreographed by Marina Mascarell/Korzo Production in collaboration with NDT Nederlands Dans Theater, Dance Forum Taipei and Mercat de les Flors (Barcelona). Premiered on January 27th 2017 – toured through Taiwan, the Netherlands, Germany, Italy, Greece, Spain and France


The Grotto – Modern Body Festival – Nov-December 2016; The Hague

WE | Agent-Based Choreographic Tactics – Workshop with Satoru SugiharaI/We/They – Modern Body Festival, The Hague, November 30th

Polytope at Cinekid, Amsterdam, 16-17 October

Body Maze – Workshop at Space Media Festival – Taipei, Taiwan, August

Polytope at ‘New Dream New Future’, exhibition at Schema Art Museum – Cheongju, South Korea, July

Polytope at Playful Arts Sessions – Bodies at Play – Den Bosch, Netherlands, June 3rd

‘Fluid Dynamics’, installation for FAUNA#2, Hoop, The Hague, March 11th


Polytope, performed along Sonolab duo, at No Patent Pending #17 (The Hague, December 8th)

Propulsions, performance with live improvisation, along Wen Chin Fu, Dodó Kis and Matteo Marangoni for Oorsprong Curator Series, Toolhuistuin (Amsterdam, February 2015)


K24, Room for sensorial cleansing – site specific/immersive installation – with Mike Rijnierse – Modern Body Festival (The Hague, October 17th)

Propulsions, a mobile environment and participatory performance, created for Parksessies Festival (Haarlem, July-August)

Selfie-Reflection, a game-situation for 17 participants in the public space (Lana, Italy, May)

Room for Movement, site specific for the Winter Anti Depression Show, Marres (Maastricht, January-March)


Flexor, installation and performance (2013). Spheres–Artscience Preview Show (Korzo Theater, The Hague, May) and at the KABK Graduation Show (Royal Academy of Art, The Hague, July).

Approximation – Performance and installation, shown at KABK, Stroom Den Haag (2012), TodaysArt (2013) and Rijksmuseum: The Deepest Sense Symposium, Amsterdam (June 2014).

Recursive Garden – A speculative performance on human beings as vegetable systems, for the efficient future of the species. A collaboration started with Daniel Berio (during GrowWorld, Artscience research group, March-April).

Meiosis – performance (2011). Eight people perform a sequence inspired by cellular reproduction and walk throughout a public space. Shown in the KABK, June 2011. Performed by Gala Tellechea Velez, Gaby Felten, Clara Lozano, Moritz Geremus, Charlotte ‘t Hart, Marloes van Son, John Fanning and Silvia Janosková.


‘DOTNOTATOR’ (2011) Performance presented at Z Zondag (Villa Ockenburg) and Studio Loos, The Hague. In collaboration with Mike Rijnierse, Marijke van Gorp and Nenad Popov.

Cauim Experience (2010) – Reenactment of native Brazilian beverage making, in which women prepare the cauim (made from cassava root) by chewing, spitting and fermenting the collective saliva. The ceremony-experiment, held at the TactileLab/Artscience, was introduced by a short lecture on the broad cassava culture in Brazilian culinary.

Public Matter (2010) – Choreography for 70 people (permutations of walking, talking over the phone and standing still)The audience is sitting in the center of the room. Performed at KABK, June 2010.